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I decide that it was time to put the Fujfim X-Pro1 that I have been using for Street Fashion Sydney through its paces on a full scale fashion shoot. There was no doubt in my mind that the Fuji's X-Trans Sensor with its incredible fine-detail resolution together with the optical quality of the XF35mmF1.4 R lens would be perfect for this style of shoot. Lighting was provided with vintage STROBE equipment for its unique light quality (its like moving up a camera format); two swimming pool lights banked together; each the equivalent of 40 individual heads, to provide something a little different for the powerful "Terry Richardson" style we were thinking about.. The STROBE was perfect for bringing out the detail of the jewellery while still being flattering to the model and was perfect match for the high resolution of the Fuji's unique X-Trans sensor. Continues below...
RAW conversion & Post-processing details below..
Something I always find interesting is that while the files tend to look great right out of the camera, they are never as good as they can be. For me this means a three stage 'photo finishing' and retouching process to bring out the maximum Pop and Impact the image can provide. This is particularly important part of the Photography "Value Chain" when using images to sell products - something I see being overlooked again and again when it comes to businesses using pictures to sell products online.
Finishing each picture requires RAW conversion including tonal and colour adjustment as well as sharpening and in Silkypix the level of demosaicing. The new file is then loaded into Photoshop for retouching, skin fixes, local colour adjustment, airbrushing, and any little fixes or 'tricks' like flipping a feather, (final frame below) that you can't make anywhere else.. I then add layers for final colour adjustment, sharpening, contrast and saturation.
- A very high percentage of Sharp and In-Focus shots = more keepers to choose from.
- Exceptional file quality straight from the camera.
- Great detailed files from RAW - but see the Con below..
- Ability to shoot with any of the three viewfinder options & I used all three on this shoot.
- No mirror 'black-out'; you see the shot you are making.
- Everyone loves the X-Pro1, and the client probably doesn't own one (yet)..
- You need to remove the tripod plate to open the Card/Battery door.
- Viewfinder not as large as with a DSLR, I look over the top of the camera if it's a problem.
- RAW conversion tends to be time consuming - frustrating - impossible under some circumstances..
- Write speeds not as fast as DSLR - can slow down playback viewing.
- Minor shutter lag, though not enough to cause me at least to miss any shots..
For me the decision to use the Fuji X-Pro1 on this shoot was definitely the right call. The Camera and the XF35mmF1.4 R were a perfect combination for the contemporary fashion look and feel we were after from the shoot. The image quality is superb and the cameras ability to focus accurately and quickly (in that order) allowed me to focus more on what was happening in front of the camera; the shots, than worrying if the shots were really in focus or not. And as I wrote in my X-Pro1 review on Street Fashion Sydney; this is a camera that enhances your photography instead of hindering it. Love it!
Client - OUMIRA.
Model - Montana, Chadwicks Sydney.
Hair & Make-Up - Kaori
Assistant - Anthony G.
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